In Defense of Red Hybrids - Vermont's Lincoln Peak Marquette

During the very first panel discussion at the 2015 Wine Bloggers Conference Madeline Puckette, the Content Director, Wine Folly: The Essential Guide to Wine, generated controversy by asking the Introduction to the Finger Lakes Wine Country panel "Why do hybrids suck?". Many of us east coast and cold climate drinkers were taken aback. Too bad Doug Frost wasn't available, but the panel did an excellent job responding, particular MS Christopher Bates. He focused on winemaking and mentioned that there are lousy wines made from vinifera grapes as well as lousy wines made from other grape species. However, he continued, there are plenty of examples of excellent wines made using non-vinifera species. He then suggested we sample several white hybrids such as Vidal, Seyval, Traminette, and Vignoles. But notice the absence of any mention of red hybrids. A couple days later during the post conference excursion to Cayuga Lake, Jon Crupp owner of the Thirsty Owl Wine Company mentioned that he preferred white French Hybrids over their red counterparts. So where's the love for red hybrids*? Fortunately several of us at the conference where able to taste wines from two excellent red hybrid grapes, Hudson-Chatham Winery Baco Noir (courtesy of Elizabeth Smith, the TravelWineChick) and Marquette from Shelburne Vineyard and Lincoln Peak Winery  - provided by Todd Trzaskos (author of Wines of Vermont).  The Baco requires it own post, so for now let's examine the Marquette grape.


It was released by the University of Minnesota in 2006 and "originated from a cross of MN 1094, a complex hybrid of Vitis riparia, Vitis vinifera, and other Vitis species; with Ravat 262". One of it's grandparents is Pinot Noir and a great grandparent is Carmine (an offspring of Merlot and Cabernet Sauvignon). According to Trzaskos, Marquette came to Vermont before its official release and Chris Granstrom, owner of Lincoln Peak, was one of its first proponents. The grape is hardy at 36 degrees below zero and is resistant to "downy mildew, powdery mildew, and black rot". One shortcoming, the grape has an early bud break leaving it vulnerable to late spring frosts.

The 2013 Lincoln Peak Marquette is a big wine; particularly when noting it's cold climate source. It starts with a bit of jamminess in the aroma which blows off which leads to a full bodied, dark cherry, gummy bear flavor. It finishes strong with soft tannins, plenty of acids, and a bit of spice. At the conference I recall discussing this wine with Luiz Alberto (The Wine Hub) and we agreed that it was an excellent wine, not just as simply a Marquette wine, but for any wine. Carlo Devito, proprietor of  Hudson-Chatham, is also a fan responding "Immense achievement. Almost has a warm climate feel. Lovely". And Todd Trzaskos states, "Marquette is like Zweigelt in its lighter more bramble form, while bigger versions more like Mencia or Grenache... Any way around, a wine this big from cold climate vines is a real achievement".

Interestingly I had an email exchange with Puckette after the conference regarding her question and she mentioned Zweigelt, along with Seyval Blanc and Pinotage, as hybrids that have a poor reputation. She continued that hybrids are just a little misunderstood. Noting the irony of her first statement, I concur immensely with her second. Cheers to hybrids, both the red and white varieties.

* I'm referring to both French Hybrids and American cold climate grape varieties when using the term hybrids.

Book Review: "Wines of Vermont"

I have a soft spot for wine books that focus on the history of wine within a specific state *, so I was very enthusiastic about purchasing the recently published Wines of Vermont written by Todd Trzaskos. Full disclaimer, Todd is a friend that I've known for a number of years. And on occasion he has provided me with a couple of his excellent homemade wines that Deirdre Heekin mentions in the book's forward. That being said, this is an excellent resource, not only with it's portrayal of the past and present wine environment in Vermont, but more importantly, expanding upon the Green Mountain States' geography, history, culture, and agricultural industry. It's this expanded coverage which separates Wines of Vermont from similar books and provides an underlying basis for the rise of Vermont's unique wine culture. 

theCompass view of
Vermont's 30+
wineries & cider houses

The book starts with a detailed review of Vermont's geography from the birth of it's mountains, to the limestone soils, to the consequences of past glacier activity. One interesting fact is that the Taconic and Green Mountain ranges "represent the eroded remains of some of the first mountains on earth...".  Part II delves into Vermont's wine culture, from it's shared heritage with Quebec to the rise of the Farm to Table movement. Part III augments the Farm to Table culture by describing the plethora of fruit agricultural products grown in Vermont, finishing with a detailed description of wine grapes. Pay close attention to the Minnesota breeds. Part IV encompasses the Farmers and Winemakers who gave birth to and advanced the Vermont wine industry. I had expected the book to start with this topic, but by holding back this information, Trzaskos provides the reader with a clearer understanding of the risks and rewards experienced by these industrious entrepreneurs.  Who in their right mind would plant Pinot Noir in the shores of Lake Champlain? Or bases their winery operation on native yeast fermented Marquette and La Crescent?  The Wines of Vermont reveals this information and much more and forces the reader to admire and appreciate "the people from the little state of Vermont".

* Two recent books are Richard Leahy's Beyond Jefferson's Vines: The Evolution of Quality Wine in Virginia and Regina McCarthy's Maryland Wine: A Full-Bodied History (American Palate).