USBevX 2018: #Wine Writers, What Are They Looking For?

Photo Courtesy of  Kathy Lang Wiedermann -Virginia Made

A huge thanks to Jenn Nelson of Wine Antics for live blogging the Wine Writers, What Are They Looking For? session at the 2018 US Wine & Beverage Conference. This two-day conference in Washington D.C. is targeted towards wineries to provide education in the fields of vineyard management, wine-making, and marketing.  The Wine Writers session was one of a few that were very relevant to content providers and fortunately I was able to watch the proceedings live via Jenn's video.  This session was moderated by Eric Guerra, Chief Marketing & Sales Officer Terravant Wine Company, and featured Carlo DeVito Owner Hudson-Chatham Winery  plus three wine writers: Lenn Thompson, Frank Morgan, and Paul Vigna. A stellar cast.  I would strongly encourage interested readers to watch the entire video, but here are my comments on what was discussed and what was omitted. Cheers.

Educate Tasting Room Staff
This dictum should be obvious but even the organizers of USBevX realized it's lacking since they created a session on this very topic. Perhaps, turnover is a contributing factor, but I continue to witness this irritating display of ignorance.  On one extreme, I remember Dezel Quillen's (MyVineSpot) story how he mispronounced Virginia's signature grape Vee-og-ney for a substantial period because that's how a staff member pronounced it during his introduction to the grape. On the lesser extreme I've engaged staff who are unfamiliar with where a vinifera grape originated, a blend composition, or even what grapes are planted in the estate vineyard.  Simply unacceptable. And staff should be honest if they do not know the answer to a question. Do not guess. One tip that Lenn Thompson suggested was not only sending writers technical sheets, but post that information on your website. I would expand that and suggest having technical sheets available at the tasting room. At the very least, it would assist educating the staff and more importantly it can be distributed to wine geeks who ask more probing questions.

Tell a Story
How can wineries differentiate their brand from the hundreds or even thousands of competing options? That question not only was raised during this session, but has been overarching dilemma of the craft wine explosion.  In addition to producing the best wine possible, a common answer is to create compelling stories behind your establishment. Frank Morgan mentioned Old Westminster Winery as an example with their family story and social media engagement.  However, the story doesn't have to revolve solely around the family.  The region's history can be stressed as is the case at The Winery at Bull Run who display Civil War artifacts in their tasting room.  Another option is highlighting a particular grape variety. Hudson-Chatham's story revolves around Baco Noir -- although their Chelois is just as intriguing.  If you produce an Albarino, focus on the grape's Galicia home as well as how your wine differs from those from Riax Baixas - perhaps through annual comparative tastings. Even normally pedestrian grapes such as Pinot Gris can be a focal point. Recently I tasted a rather noteworthy Pinot Gris from Boordy Vineyards. When I mentioned this to Dr. Joe Fiola, his eyes gleamed as he enthusiastically discussed the specific vineyard block that produced that wine. Boordy should share that knowledge - perhaps present samples of dirt in the tasting room and explain how the soil and sunlight affect the wine. Provide us a reason to visit.

Expand Beyond Experienced Content Providers
A valid question was raised during the seminar on how to differentiate between the bloggers, particularly when new content providers seem to be appearing overnight. The panelists gave two equally valid responses. First, look for content providers who have organically written about your area as this demonstrates a degree of excitement towards your location. Paul Vigna's Penn Live is a nice example of an outlet that reports on winery tours in underrepresented locations. At the very least any state or regional winery board worth their salt should have a list of content providers that have written about that area.  The second response was to seek content providers who have large audiences. Now in some instances, these audiences may simply be the result of longevity, but at least the blogger\writer has sustained a passion for covering the wine industry.

However, I would caution about relying solely on these more experienced bloggers. You could easily overlook many talented and engaging content providers with small but growing readership. Being in the longevity camp, it is refreshing to encounter younger and perhaps more enthusiastic content providers who are not just seeking free samples. And in the DMV region there is no shortage of groups that you can contact to locate these individuals. A few Facebook examples are the Young Wino's of DC, Black Wine Lovers, and I have to include the more senior Virginia Wine Mafia.

Finally, the discussion was exclusively focused on print.  Yet there's a large array of media that are covering  craft beverage industries. Wine Antics is one example of live video blogging. There are also podcasters, social media providers, and others outside my realm. Try something different such as Winemaker's Drinking Beer. There are numerous outlets beyond experienced print bloggers.

Civil War & Wine at The Winery at Bull Run

Last week I visited northern Virginia's newest winery, The Winery at Bull Run, located adjacent to the Manassas National Battlefield Park. And this proximity to the park is what would draw history buffs as well as wine lovers to Centreville. The winery is located on the former Hillwood estate with ruins of the former mansion used as a patio. Parts of the First Battle of Bull Run (First Manassas) were near the Hillwood estate - most notably at the Stone Bridge - also adjacent to the winery and the southern part of the Park. With that in mind, proprietor Jon Hickox exhibits Civil War relics within the winery - some collected from the property and others donated by collectors. He also placed markers throughout the property describing the mansion and what the battlefield looked like from that location. The museum and markers are reason enough to visit this infant winery.

As for the wines, their portfolio is produced using the Pearmund empire where the wines are made at either Pearmund Cellars, the Winery at La Grange, or Vint Hill Craft Winery. They are growing small amounts of Norton on the estate and source fruit from vineyards across Virginia. To their credit, the tasting sheets include the  vineyard information. (I wish more wineries would follow this example.) For reds they offer a Merlot, Cabernet Franc, Meritage, and Norton; for whites, a Chardonnay, Viognier, a merlot based Rosé, and the "Delaney" - a blend of 40% Traminette, 30% Vidal Blanc, 20% Viognier, & 10% Riesling. Plus the "Fort", a Chambourcin port-styled dessert wine. For my tastes, the wines were okay. The chardonnay was typical Pearmund - more on the oaky side; the Viognier, oddly off-dry. The Delaney blend was spot on for those grapes as was the Norton, not over-acidic and jammy.  These wines are pricey - you pay for the Pearmund winemakers and location: high 20s to $32 for the reds; $24-$27 for the whites; and $38 for the Fort. For me too expensive for everyday consumption but worth a bottle when soaking up the Civil War history.